Paper begins as something familiar—a page, a book, a record of information. Yet when reduced to pulp, it becomes something entirely different: a fluid material capable of holding memory, gesture, color, texture, and form.

In this workshop, participants will explore paper pulp as both a sculptural and painterly material. Through hands-on experimentation, we will investigate how pulp can be poured, pressed, layered, cast, pigmented, stitched, and assembled into works that move between two and three dimensions.

Working with both recycled and handmade papers, we will consider the histories embedded within paper itself—from its cultural origins and methods of production to its role as a carrier of stories, knowledge, and memory. Participants will learn how discarded paper can be transformed into new forms, discovering the creative potential that exists within materials often overlooked or thrown away.

Several types of paper will be provided for use throughout the workshop. Participants are also encouraged to bring a small amount of paper that holds personal meaning—a letter, photocopy, drawing, receipt, book page, or handwritten note. These materials can be pulped and transformed, becoming part of the creative process. Through this act of transformation, paper becomes more than a medium; it becomes a vessel for memory, trace, and personal history.

Alongside technical demonstrations, discussions, and studio experimentation, participants will develop a personal visual language through material exploration and create a series of works that emerge directly from their relationship with paper.

No previous experience is required! Curiosity, experimentation, and a willingness to engage deeply with materials are encouraged.